In 1970, he became managing director for European production for Faberge’s Brut Productions. He appeared opposite Elizabeth Taylor in 1954’s “The Last Time I Saw Paris” and with Eleanor Parker in “Interrupted Melody” the following year. He played a few small roles in theater and films before his mandatory army duty, then moved to Hollywood in the 1950s.
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In the 1970s, film critic Vincent Canby would dismiss Moore’s acting abilities as having “reduced all human emotions to a series of variations on one gesture, the raising of the right eyebrow.”īorn in London, the only child of a policeman, Moore had studied painting before enrolling in the Royal Academy of Dramatic Art. Such success followed a Time magazine review of one of his earliest films, 1956’s “Diane,” in which his performance opposite Lana Turner was dismissed as that of “a lump of English roast beef.” By the time the series, which also aired in the United States, ended in 1969, his partnership with its producers had made him a wealthy man.
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In England, he had a long-running TV hit with “The Saint,” playing Simon Templar, the enigmatic action hero who helps put wealthy crooks in jail while absconding with their fortunes. 1950s-60s TV series “Maverick” as Beauregarde Maverick, the English cousin of the Wild West’s Maverick brothers, Bret and Bart. He was remembered warmly by fans of the popular U.S. The actor, who came to the role in 1973 after Connery tired of it, had already enjoyed a long career in films and television, albeit with mixed success. While he never eclipsed Sean Connery in the public’s eye as the definitive James Bond, Moore did play the role of secret agent 007 in just as many films as Connery did, and he managed to do so while “finding a joke in every situation,” according to film critic Rex Reed.
So you have to treat the humor outrageously as well.”
What kind of serious spy is recognized everywhere he goes? It’s outrageous.
Every bartender in the world offers him martinis that are shaken, not stirred. “I mean, this man is supposed to be a spy and yet, everybody knows he’s a spy. “To me, the Bond situations are so ridiculous, so outrageous,” he once said. Moore’s relaxed style and sense of whimsy, which relied heavily on the arched eyebrow, seemed a commentary on the essential ridiculousness of the Bond films, in which the handsome British secret agent was as adept at mixing martinis, bedding beautiful women and ordering gourmet meals as he was at disposing of super-villains trying to take over the world. “We know our own love and admiration will be magnified many times over, across the world, by people who knew him for his films, his television shows and his passionate work for UNICEF, which he considered to be his greatest achievement,” the statement said. The British actor died Tuesday after a short battle with cancer, according to a family statement posted on Moore’s official Twitter account. Roger Moore, the suavely insouciant star of seven James Bond films, has died in Switzerland.
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